Symbols That Scare - 3
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INT. TORTURE ROOM NIGHT

The bare bulbs in the room we've entered swing violently, disorienting us. There are chains - dozens of them - disappearing with the darkness of the ceiling: all are swinging back and forth. Some end in hooks, with pieces of skin and sinew adhering; some are serrated, others simply drip blood.

In the claustrophobic British horror film The Descent (2005), a group of female friends on a caving expedition become hunted by inhuman creatures. The women are trapped in virtual darkness underground and light is their only friend as the creatures are blind. Light and dark are often used thematically to represent good and evil, hence the horror of the night and the hope of a new dawn if you have managed to survive.

5. Weapons - A majority of horror films involve the use of weapons, from machine guns to saws. Weapons have phallic symbolism that suggests masculine power and the woman that outsmarts the villain essentially castrates him. Leatherface's weapon in the Texas Chainsaw Massacre (1974) is the ultimate phallic symbol of raging power. Weapons are most symbolically powerful when they reflects character; Leatherface lives on and on for this very reason.

6. Fabric - Fabric appears in many forms in horror, such as drapes, tapestries, and furniture dust coverings. Because fabric can disguise, it intensifies suspense as it suggests the presence of something behind it. The protagonist can also hide behind fabric, but of course is not protected by it. In The Others (2001), the mother hears voices in the home and enters a room where all the stored items are covered with dust cloths. As the voices intensify, she begins pulling down the cloths to try to reveal the source. In this film, fabric is used as a metaphor for covering the dark truth the mother refuses to accept, that she murdered her own children. The curtains that are always closed in the home also emphasize this. Once the mother accepts the truth, there is no need for curtains and they can live in the light.

7. Keys/Locks - Keys and locks symbolize secrets, confinement, and hidden objects or places. In The Skeleton Key, Caroline is trying to solve her patient Ben's paralyzed condition. Her skeleton key works in every room in the house except one in the attic. She manages to get inside the room and discovers a host of disturbing secrets that will lead to her own demise. In The Others, the mother must constantly lock and unlock doors to prevent light from reaching her children who have a rare condition and will die if exposed to sunlight. In this film, the keys and locks represent her confined thinking as well as her physical confinement in purgatory. Only when she accepts the truth can all the doors be left unlocked, as the curtains can come down.

8. Doors and Windows - Doors and windows (or any portal) have many symbolic meanings. Often, they help symbolize characterization. With windows, a person has a limited perspective and is like a spectator, not part of the outside world. The person looking through the window may be frightened of the world outside or physically unable to be part of it. In The Others, the mother is often by the window looking out, trapped in her home because of her children and a dense, pervasive fog. At the end, she and her children stand by the window looking out at a world they no longer belong to. On the other hand, doors can be symbolic of opportunity. In horror, however, doors and windows are typically a means of entrapment or escape. They are also highly utilized for building suspense... is something behind the slightly open door or lurking outside the window in the dark? In Night of the Living Dead, doors and windows are dangerous openings that the zombies can infiltrate, despite efforts to block them up. Some of the most frightening scenes are when zombie hands reach in through spaces between the wooden boards. Windows can also personify a haunted house as eyes, such as the always glowing, quarter-round windows in Amityville Horror.

9. Labyrinths/Mazes - Mazes and labyrinths have often appeared in horror to heighten the protagonist's lack of control. From the hedge maze in The Shining to the complex labyrinth of the underground Hive in Resident Evil, they offer many opportunities for sudden surprises around the corner, trap doors, circular action, and a sense of improbability for escape.

10. Dolls - Dolls have appeared often in horror storytelling. The incongruity of a child's toy and danger can make it unnerving, as dolls normally represent happiness, innocence, and nurturing. Yet their distorted human qualities, such as oversized heads, unblinking eyes or exaggerated features, can make them especially eerie. Doll appearances can be subtle, such as the marionette in The Others. The doll on a string represents a figure that is not in control of its movements or destiny, much like the mother despite her efforts. It is also a moment when she shockingly connects to 'the other side' and her lifelong definitions of reality are completely rattled. Dolls can also take a leading role, such as in the evil Chucky series. The same unnerving effect has been used with clowns, though they have been so overused as to have lost much of their effect. Dolls, on the other hand, come in so many forms, from voodoo to Barbie dolls and battered antique to contemporary ones, that they offer vast opportunities for symbolic use. A doll's symbolism, which may be expressed through children's play or other means, might include sexuality, lack of control, death, desire, regret, families, aging, and much more.

11. Masks - from the Phantom of the Opera to slasher classics, masks are most often used to disguise evil. Masks are devoid of movement, except for the eyes that peer through them, which makes them like doll faces. In The Texas Chainsaw Massacre, Leatherface wears three different masks (made from human skin) that reflect his mood or victim. And who will ever forget hockey-masked Jason or white-faced Michael Myers? On occasion, the villain behind the mask may be a woman. The Japanese film, Carved: The Slit-Mouthed Woman (2007), is based on an urban legend that claims a suburban town was terrorized by the spirit of a woman whose beautiful face had been horribly disfigured. She would roam the streets wearing a long coat and surgical mask. She would approach her young victims and, while removing the mask, ask them if she was pretty. Their response would inevitably lead to a violent demise.

12. Mirrors - Mirrors, or a mirror effect such as reflections in glass or water, can have many symbolic meanings though typically represent the multiple dualities of characters. Broken mirrors have obvious connotations of shattered lives and personalities. Mirrors can also represent voyeuristic, vanity, and sexual themes - we display our bodies and beautify ours faces in front of them in private. Mirrors can also reflect dangers. The following scene from Halloween: H20 (1998) is a good example of how effective this can be as a sudden scare tactic:

Linda swipes her palm across the fogged-up mirror, wiping away the steam... ON the MIRROR. In its reflection we see Molly and Linda... then -- THE SHAPE appears from the cloud of steam behind them!

The mirror has been the subject of many films, including Alexandre Aja's 2008 film Mirrors, which is based on the 2003 Korean film Into the Mirror. In these films, the mirror is a gateway between good and evil, its symbolism similar to doors, gates, and windows.

13. Rope - Rope has many symbolic meanings, from bondage, flogging, and death (the noose) to a means of escape or survival. In horror, ropes are most often used as a form of bondage. This symbolism has been used since the dawn of cinema and has symbolic importance today. In the opening of James Whale's Frankenstein (1931), one of the first shots is a pair of hands pulling on a rope; hands lowering a coffin before grave robbers Dr. Frankenstein and his assistant pull it back up in front of a statue of the Grim Reaper. Later in the opening sequence, they cut a condemned man down from the rope of a gallows but are disappointed that they will need a different brain as his neck was severed.

Symbolism can be very powerful and is an important tool for enhancing theme and character. Everyday objects can be used to effectively alter mood. Even a paper doll can be salaciously scary if in the right hands!

This article by Sara Coover Caldwell is excerpted from a series for ConstructingHorror.com, a site dedicated to horror storytelling. Sara is the author of three books, including Splatter Flicks: How to Make Low Budget Horror Films. Splatter Flicks is a comprehensive guide that shows aspiring filmmakers exactly how today's most successful creators of horror finance, produce, and market their films. This e-mail address is being protected from spambots. You need JavaScript enabled to view it

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